In his book, art critic Alexander Evangeli develops the ideas of the regular seminar “Laboratory of Time”, operating on the basis of the Rodchenko School with the participation of Author. He examines the manifestations of digital processes in anthropological practices and, at all levels—from invisible microtemporalities to history—discovers the logic of data dissolved in the persistent time of these practices. But first this logic takes over our bodies. Against this background, the difficulty of identifying with the digital sphere looks like an inexplicable blindness, a blockage of vision. Such paradoxes suggest a kind of digital unconscious that defines new modes of sensibility that operate far beyond technology.